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Sweeney/Rubin Ansel Adams Fiat Lux Collection

 Record Group
Identifier: 1987.0027

Scope and Contents

The collection is organized into 20 boxes of prints, labeled by campus, research station, and/or UC Extension Center, as well as 11 boxes of original negatives, and a mockup of Fiat Lux: The University of California. In these photographs, commissioned by Clark Kerr, the President of the University of California between 1958 and 1967, Adams seeks to render visible the “invisible product” of the UC system, knowledge. He does this by photographing students and faculty at work, as well as various UC research projects and achievements. Owing especially to his strengths in landscape photography, Adams was able to show many UC campuses situated within their natural landscapes. Many of Adams’ most dramatic landscape photographs of UC lands did not make it into the final published product, but remain in the collection. The photos featured in Fiat Lux: The University of California depict students on the various campuses, technologies developed through UC research, and the UC System’s contributions to science and agriculture. The prints contain images of the campuses of Berkeley, Davis, Irvine, Los Angeles, San Diego, San Francisco, Santa Barbara, Santa Cruz, and Riverside. It also depicts the Deep Canyon Desert Research Station, Hat Creek Radio Astronomy Station, Hopland Field Station, Richmond Field Station, Bodega Marine Station, and Meadow Valley Forest Station. Images of UC Extension Centers and programs are also part of the Fiat Lux collection, showing the reach of the university beyond its campuses.

Dates

  • 1963 - 1967

Conditions Governing Access

Series I (prints) is open for research, by appointment.

Biography

Ansel Adams was born in San Francisco in 1902 and became arguably the most famous photographer in the world. Adams made landscape photographs of the American West, and took commercial jobs, such as the Fiat Lux project, to support his personal interests.

Nancy and Beaumont Newhall played an important role in Ansel Adams’ life. Beaumont Newhall was a prominent art historian who served as the first curator of photography at the MoMA. His wife, Nancy Newhall, was also a curator and was well known for her work as a photography critic. Nancy wrote the texts for seven of Adams’ photography books, including the book that resulted from this body of work, Fiat Lux: The University of California. The Newhalls were both passionate about photography as art, and were prominent historians and interpreters in the field. Adams and Beaumont Newhall, who worked as a librarian at the MoMA, were responsible for the creation of the first American museum department of photography at the Museum of Modern Art in New York.

Extent

31 boxes

Language of Materials

English

Abstract

The Ansel Adams Fiat Lux collection, created between 1964-1967, consists of approximately 6,700 negatives and 600 photographs. These photos were used in a book entitled Fiat Lux: The University of California, written by art critic Nancy Newhall and published to commemorate the centennial of the University of California system. Adams’ task was to show the “next hundred years” of the UC system.

Photographed over a span of three years and published in 1968, the Fiat Lux collection shows the University of California at a particularly pivotal moment in time, as well as the projected future of the university. Post-World War Two scientific advancements led to a newfound emphasis on innovation and research at the university, which is rendered visible in the work of Ansel Adams. In the collection, particular attention is paid to UC Berkeley, but the focus is primarily on research and architecture, rather than outspoken student life at a time when the university was the center of Vietnam War and free speech protests. For the University of California, these photos served as tools of boosterism, highlighting serene student life, academic research, and the university’s contributions to science, agriculture, culture, and the environment.

Arrangement

Whenever possible, original order of this collection was maintained.

Immediate Source of Acquisition

This collection was tranferred to the California Museum of Photography from the University of California Office of the President in 1987.

Author
Finding aid prepared by Sonia Mehrmand
Date
2016
Description rules
Describing Archives: A Content Standard
Language of description
Undetermined
Script of description
Code for undetermined script
Language of description note
Eng

Repository Details

Part of the California Museum of Photography Repository

Contact:
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